The film was followed by a sequel, The Curse of the Cat People, in 1944, and a remake, directed by Paul Schrader, was released in 1982. Several horror films of the 1940s and 1950s were influenced by Cat People, either drawing on the film's shadowy visuals or containing a female character who fears that she possesses a hereditary trait that makes her transform into a monster. The film did well in the box office, being one of RKO's biggest hits of the season. Initial critical reviews ranged from negative to mildly enthusiastic. During editing, Robson developed a technique later called The Lewton Bus, a jump scare that Lewton used in his subsequent films.Ĭat People had its premiere at the Rialto Theatre in Manhattan on December 5, 1942, before having a wider release on December 25. The film was shot at RKO's studios reusing sets from previous films such as The Magnificent Ambersons. After researching various horror films and cat-related literature, Bodeen and Lewton developed the script with Lewton doing extensive uncredited work on the story. They were given the title by an RKO executive, who instructed them to develop a film from it. Cat People was the first film upon which the team worked. He brought together a team of filmmakers that he had worked with in the past, including Tourneur, editor Mark Robson and screenwriter DeWitt Bodeen. Production began in 1942, with Lewton being placed in charge of developing RKO's low-budget horror films. The film stars Simone Simon as Irena, and features Kent Smith, Tom Conway, and Jane Randolph in supporting roles. When her husband begins to show interest in one of his coworkers, Irena begins to stalk her. The film tells the story of Irena Dubrovna, a newly married Serbian fashion illustrator obsessed with the idea that she is descended from an ancient tribe of Cat People who metamorphose into black panthers when aroused. Additionally, there's a poster of Kyubey around Room 165, in one of the classrooms.Cat People is a 1942 American horror film directed by Jacques Tourneur and produced for RKO by Val Lewton.The White Cat's design is heavily inspired by Kyubey from Madoka Magica with the eyes, color, and the swooshing tail.The other two rooms are possibly referencing the Self and the Anima/Animus. She most clearly references the Persona and the Shadow, the Persona being the "mask" of social conformity, and the Shadow being our unconsciously repressed desires and trauma.The rooms The White Cat talks about are a reference to the archetypes of the unconscious proposed by Carl Jung.The rooms that she appears in could be in reference to the game Yume Nikki, where there is a room with doors circling around it.
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